The post Music body ICMP laments “wilful” theft of artists’ work appeared on BitcoinEthereumNews.com. A major music industry group, ICMP, has lamented the use of artists’ work by AI companies, calling them guilty of “wilful” copyright infringement, as the battle between the tech firms and the arts industry continues. The Brussels-based group known as the International Confederation of Music Publishers (ICMP) comprises major record labels and other music industry professionals. Their voice adds to many others within the arts industry that have expressed displeasure at AI firms for using their creative work to train their systems without permission. ICMP accuses AI firms of deliberate copyright infringement ICMP director general John Phelan told AFP that big tech firms and AI-specific companies were involved in what he termed “the largest copyright infringement exercise that has been seen.” He cited the likes of OpenAI, Suno, Udio, and Mistral as some of the culprits. The ICMP carried out an investigation for nearly two years to ascertain how generative AI firms were using material by creatives to enrich themselves. The Brussels-based group is one of a number of industry bodies that span across news media and publishing to target the fast-growing AI sector over its use of content without paying any royalties. Suno and Udio, who are AI music generators, can produce tracks with voices, melodies, and musical styles that echo those of the original artists such as the Beatles, Depeche Mode, Mariah Carey, and the Beach boys. “What is legal or illegal is how the technologies are used. That means the corporate decisions made by the chief executives of companies matter immensely and should comply with the law,” Phelan told AFP. “What we see is they are engaged in wilful, commercial-scale copyright infringement.” Phelan. In June last year, a US trade group, the Recording Industry Association of America, filed a lawsuit against Suno and Udio. However, an exception… The post Music body ICMP laments “wilful” theft of artists’ work appeared on BitcoinEthereumNews.com. A major music industry group, ICMP, has lamented the use of artists’ work by AI companies, calling them guilty of “wilful” copyright infringement, as the battle between the tech firms and the arts industry continues. The Brussels-based group known as the International Confederation of Music Publishers (ICMP) comprises major record labels and other music industry professionals. Their voice adds to many others within the arts industry that have expressed displeasure at AI firms for using their creative work to train their systems without permission. ICMP accuses AI firms of deliberate copyright infringement ICMP director general John Phelan told AFP that big tech firms and AI-specific companies were involved in what he termed “the largest copyright infringement exercise that has been seen.” He cited the likes of OpenAI, Suno, Udio, and Mistral as some of the culprits. The ICMP carried out an investigation for nearly two years to ascertain how generative AI firms were using material by creatives to enrich themselves. The Brussels-based group is one of a number of industry bodies that span across news media and publishing to target the fast-growing AI sector over its use of content without paying any royalties. Suno and Udio, who are AI music generators, can produce tracks with voices, melodies, and musical styles that echo those of the original artists such as the Beatles, Depeche Mode, Mariah Carey, and the Beach boys. “What is legal or illegal is how the technologies are used. That means the corporate decisions made by the chief executives of companies matter immensely and should comply with the law,” Phelan told AFP. “What we see is they are engaged in wilful, commercial-scale copyright infringement.” Phelan. In June last year, a US trade group, the Recording Industry Association of America, filed a lawsuit against Suno and Udio. However, an exception…

Music body ICMP laments “wilful” theft of artists’ work

2025/09/18 04:41

A major music industry group, ICMP, has lamented the use of artists’ work by AI companies, calling them guilty of “wilful” copyright infringement, as the battle between the tech firms and the arts industry continues.

The Brussels-based group known as the International Confederation of Music Publishers (ICMP) comprises major record labels and other music industry professionals. Their voice adds to many others within the arts industry that have expressed displeasure at AI firms for using their creative work to train their systems without permission.

ICMP accuses AI firms of deliberate copyright infringement

ICMP director general John Phelan told AFP that big tech firms and AI-specific companies were involved in what he termed “the largest copyright infringement exercise that has been seen.” He cited the likes of OpenAI, Suno, Udio, and Mistral as some of the culprits.

The ICMP carried out an investigation for nearly two years to ascertain how generative AI firms were using material by creatives to enrich themselves.

The Brussels-based group is one of a number of industry bodies that span across news media and publishing to target the fast-growing AI sector over its use of content without paying any royalties.

Suno and Udio, who are AI music generators, can produce tracks with voices, melodies, and musical styles that echo those of the original artists such as the Beatles, Depeche Mode, Mariah Carey, and the Beach boys.

“What is legal or illegal is how the technologies are used. That means the corporate decisions made by the chief executives of companies matter immensely and should comply with the law,” Phelan told AFP.

In June last year, a US trade group, the Recording Industry Association of America, filed a lawsuit against Suno and Udio. However, an exception is Eleven Music, another AI-generated music service provider, which, according to Phelan, signed a deal with the Kobalt record label in August.

According to AFP, tech firms normally invoke “fair use,” which is a copyright exception that allows the use of creative works without permission under certain circumstances. Tech firms OpenAI, Google, Mistral, Suno, and Udio did not comment on the matter.

Research done by the ICMP revealed that AI firms had done widespread “scraping,” which is a practice that uses programs that are known as “crawlers” that explore the internet for content. The research was first published in music outlet Billboard earlier this month.

With these programs, AI firms can harvest lyrics for their models, which then utilize them to recreate them without permission from the original artist, according to the ICMP.

Artists want enhanced transparency

To ensure there is transparency, rights holders want tougher regulation, which can be achieved through the European Union’s Artificial Intelligence Act.

“It is essential to understand the scale of the threat facing authors, composers and publishers,” warned Juliette Metz, president of the French music publishers’ association and also an ICMP member.

The battle between AI firms and the arts industry has intensified as the AI industry continues to grow. In the US, Anthropic agreed to pay at least $1.5 billion into a compensation fund for authors, rights holders, and publishers after they sued the AI startup for illegally downloading millions of books to train its systems.

Universal, Warner, and Sony, US-based music majors, are negotiating with Suno and Udio with the hope of striking a licensing deal. This comes as AI-generated music is already finding its way into streaming platforms.

According to AFP, AI-generated music accounts for 28% of music that is uploaded on the French music platform known as Deezer, and it has reportedly ballooned over the past year in uploads.

A study carried out by the International Confederation of Societies of Authors and Composers (CISAC) an industry body that represents more than five million creators worldwide, warned about the adverse impacts of AI-generated music. It argues that artists’ income may shrink by as much as 20% in the next four years due to growing AI-made music.

In the UK, top artists have also expressed concerns about the growing use of their work by AI firms. They have called on the government to protect their work from AI exploitation. This came after the government indicated plans to permit AI developers to train systems on books, lyrics, scripts, and music without prior permission, which were condemned by artists. Top British musician Elton John said such a policy leaves the door wide open for an artist’s life’s work to be stolen.

Want your project in front of crypto’s top minds? Feature it in our next industry report, where data meets impact.

Source: https://www.cryptopolitan.com/music-body-icmp-laments-wilful-theft/

Disclaimer: The articles reposted on this site are sourced from public platforms and are provided for informational purposes only. They do not necessarily reflect the views of MEXC. All rights remain with the original authors. If you believe any content infringes on third-party rights, please contact service@support.mexc.com for removal. MEXC makes no guarantees regarding the accuracy, completeness, or timeliness of the content and is not responsible for any actions taken based on the information provided. The content does not constitute financial, legal, or other professional advice, nor should it be considered a recommendation or endorsement by MEXC.

You May Also Like

This Altcoin Soars 20% In One Day Following Major Saudi Arabia Partnership

This Altcoin Soars 20% In One Day Following Major Saudi Arabia Partnership

The native token of the crypto exchange WhiteBIT (WBT) is leading the mid-week altcoin market after a significant 20% surge over the past 24 hours. This performance follows the announcement of a key partnership with Durrah AlFodah Holding to promote the growth of blockchain technology in Saudi Arabia. Related Reading: Solana Reclaims $140 As Second Wave Of SOL ETFs Debut – Is A Rebound Coming? WhiteBIT Secures Strategic Collab In Saudi Arabia On Tuesday, top crypto exchange WhiteBIT unveiled it had signed a strategic cooperation agreement with Durrah AlFodah Holding, represented by His Royal Highness Prince Naif Bin Abdullah Bin Saud Bin Abdulaziz Al Saud, aiming to drive the Kingdom’s development in blockchain technology, digital finance, and data infrastructure. According to the announcement, the partnership aligns with the strategic pillars of the Kingdom of Saudi Arabia Vision 2030 program, which seeks to foster economic diversification, technological innovation, and digital transformation across the Kingdom’s public and private sectors. Therefore, it will set the foundation for key projects within the Kingdom, including stock market tokenization, Central Bank Digital Currency (CBDC) guidance, and the creation of national data computing and mining centers. Under the agreement, WhiteBIT will provide technological expertise and infrastructure design, while Durrah AlFodah will facilitate the crypto exchange’s market entry, regulatory engagement, and partnership development across Saudi Arabia. The move follows the exchange’s expansion to multiple jurisdictions, including Australia, Croatia, Italy, and Kazakhstan, as well as its recent dual entry into the Argentine and Brazilian markets, after key regulatory advancements in the two largest countries in South America. The collaboration reportedly envisions the creation of a joint venture company between WhiteBIT and Durrah AlFodah to manage and scale its national-scale initiatives. Volodymyr Nosov, Founder and President of W Group, the global fintech ecosystem that includes WhiteBIT, affirmed: It is an honor to work alongside the Holding of His Royal Highness Prince Naif Bin Abdullah Bin Saud to build the foundations of Saudi Arabia’s digital transformation. Together, we aim to establish secure and sovereign blockchain systems that will shape the Kingdom’s technological future. WBT Leads Mid-Week Altcoin Market Following the news, WhiteBIT’s WBT token jumped from the $51 level to a new all-time high (ATH) of $62.96 before stabilizing between the $60-$61 area. This performance builds on the remarkable WBT’s price action during the recent market volatility, which has seen many leading cryptocurrencies reach multi-month lows. Notably, the altcoin rallied to new highs in late June and consolidated within its $40-$47 range during the broader market rally between July and October. However, as the market entered a corrective phase in early November, WBT went against the current and broke out of its local range, hitting a new ATH at the time. Related Reading: Analyst Shares Worst-Case Scenario For Bitcoin (BTC) As Price Shows Concerning Signs Since then, the altcoin traded between the $50-$55 area, retesting the local range lows on Tuesday morning before the latest breakout to its new ATH. According to CoinGecko data, this performance crowns WBT as one of the leading cryptocurrencies in the past 24 hours, alongside Zcash (ZEC) and Starknet (STRK). Moreover, the altcoin, which ranks 13th among all cryptocurrencies by market capitalization, is currently the only token with double-digit gains among the top 20 cryptocurrencies. As of this writing, WBT is trading at $60.62, a 9.8% increase for the altcoin in the weekly timeframe. Featured Image from Unsplash.com, Chart from TradingView.com
Share
NewsBTC2025/11/20 15:00
USDT Spending Goes Mainstream With Opera MiniPay’s LatAm Integration

USDT Spending Goes Mainstream With Opera MiniPay’s LatAm Integration

The post USDT Spending Goes Mainstream With Opera MiniPay’s LatAm Integration appeared on BitcoinEthereumNews.com. Browser maker Opera’s MiniPay, a stablecoin wallet built on the Celo blockchain, has rolled out a new feature allowing users to spend stablecoins directly at shops and services in Argentina and Brazil through a feature dubbed “Pay like a local.” The update, announced during the Ethereum Devconnect conference in Buenos Aires, connects dollar-denominated USDT balances to Latin America’s two largest payment systems, PIX in Brazil and Mercado Pago in Argentina. It’s now available for the wallet’s over 10 million users. The integration is designed to make crypto usable for daily spending. Instead of converting USDT manually or relying on centralized exchanges, users can scan local QR codes and pay from their MiniPay wallet. Support for PIX payments via QR code is set to be rolled out in the future, Opera’s Director of Global Comms Julia Szyndzielorz told CoinDesk. Noah, the infrastructure provider behind the feature, handles instant conversion behind the scenes, so merchants receive their local currency — Argentine pesos or Brazilian reais — without needing to touch crypto. The move reflects a focused shift in crypto’s direction, away from speculation and toward real-world utility, Szyndzielorz said. PIX, which handles more payments than cards in Brazil, is used by over 76% of the population. Mercado Pago reaches nearly 70% of the Argentine market. Speaking to CoinDesk, Opera’s Szyndzielorz said “Pay like a local” will be expanding into other markets in the future. To support the expansion, MiniPay is partnering with El Dorado, AlfredPay and Paytrie to provide on- and off-ramps across Latin America and Canada. Source: https://www.coindesk.com/business/2025/11/19/stablecoin-spending-goes-mainstream-with-opera-minipay-s-latam-integration
Share
BitcoinEthereumNews2025/11/20 15:27
Fed forecasts only one rate cut in 2026, a more conservative outlook than expected

Fed forecasts only one rate cut in 2026, a more conservative outlook than expected

The post Fed forecasts only one rate cut in 2026, a more conservative outlook than expected appeared on BitcoinEthereumNews.com. Federal Reserve Chairman Jerome Powell talks to reporters following the regular Federal Open Market Committee meetings at the Fed on July 30, 2025 in Washington, DC. Chip Somodevilla | Getty Images The Federal Reserve is projecting only one rate cut in 2026, fewer than expected, according to its median projection. The central bank’s so-called dot plot, which shows 19 individual members’ expectations anonymously, indicated a median estimate of 3.4% for the federal funds rate at the end of 2026. That compares to a median estimate of 3.6% for the end of this year following two expected cuts on top of Wednesday’s reduction. A single quarter-point reduction next year is significantly more conservative than current market pricing. Traders are currently pricing in at two to three more rate cuts next year, according to the CME Group’s FedWatch tool, updated shortly after the decision. The gauge uses prices on 30-day fed funds futures contracts to determine market-implied odds for rate moves. Here are the Fed’s latest targets from 19 FOMC members, both voters and nonvoters: Zoom In IconArrows pointing outwards The forecasts, however, showed a large difference of opinion with two voting members seeing as many as four cuts. Three officials penciled in three rate reductions next year. “Next year’s dot plot is a mosaic of different perspectives and is an accurate reflection of a confusing economic outlook, muddied by labor supply shifts, data measurement concerns, and government policy upheaval and uncertainty,” said Seema Shah, chief global strategist at Principal Asset Management. The central bank has two policy meetings left for the year, one in October and one in December. Economic projections from the Fed saw slightly faster economic growth in 2026 than was projected in June, while the outlook for inflation was updated modestly higher for next year. There’s a lot of uncertainty…
Share
BitcoinEthereumNews2025/09/18 02:59